ext_7328 ([identity profile] dodyskin.livejournal.com) wrote in [community profile] picfor10002005-02-01 11:37 pm
Entry tags:

FIC: Tace (ANGEL THE SERIES)

Fandom: Angel the Series
Rating: PG-13
Characters: Angel, Spike, Connor
Spoilers: 5.22/NFA
>

Tace

.

It's a dark and sodding stormy night.

Of course it bloody is. Life is only the story you tell yourself - the shadow play seen from behind the screen and never so pretty as the watching of it. Watching it, playing it, whatsit, you want it? Spike is chattering manically, nervous and mechanical. Motormouths constantly, semi unconsciously, as he runs to the hookup and looks for the gang. He's first, or only, or too late or time to spare.

Breathe.

He leans into the wall. One last fag for the road. The dimp flares in chemical excitement. He breathes in. He breathes out. He watches the sparks scatter into the gloom.

.

.

The thunder storm takes flash-photographs of the battle below. The streetlights are popping out one after the other along the sidewalk. He is high up on a flat roof and the rain is pooling already. He stares down. Strobing polaroids of fantasy hordes burn after-images into his eyes.

His heart is beating faster.

He sees the huddle and the host surrounding them, mobbing like grasping paparazzi.

He nears the edge.

A freeze frame, a sudden grimy illumination, of three Old Masters hanging over a fireplace. He takes quick breaths of wet air. There's a screaming, flying thing bearing down on him. He shuts his eyes tight against it, and steps off.

.

.

This is the end.

He's still running, running on evil. His forehead is slicked with grease and sweat and rain and the blood in his mouth tastes older than the world. He pounds the sidewalk. Connor, Connor. His bones rattle.

Drops of gel bead his eyelashes and he blinks through a picture book of scraps - stray memories of Darla brushing her hair and Buffy's shining in the sunlight - Doyle laughing and Fred singing and Cordy with her hands on her hips. Way up in an apartment block some coffee is stewing.

He staggers, two steps.

He's running, running on empty, and he shuts down to everything but the Plan.

.

.

He remembers dying- the knife numbness that spread through his body and woke up his mind. He remembers the look on Mr... Angelus... Dad's face and the way his whole life passed before his eyes. Literally - a story in his head like a movie playing. No. Not like a movie, like too many people talking and they drown each other out. Like a story that never ends and never goes anywhere and the pictures all double-exposed. It grappled with his mind, writing and overwriting, patterning - the bricks building themselves and graffiti scribbling over them. He's dropping to the ground and the wind is screaming - and he remembers dying.

.

.

He remembers dying in the alley. It's always an alley. With him it's always an alley; the passage of goddamm time.

Gunn's blood washes off his hands like wine pouring away.

He was drunk. He was so goddamm drunk and young and stupid and the hangover's lasted three hundred years.

Illyria drops from the fence and the chainlink jingle jangles against the steady throbbing all around.

God damned and devil marked but fuck if he isn't waking up now. He stands straight. Time for the wake, for the lych walk and the wake. Time enough for that when the work is done.

The neon lights are burning out. The dragon swoops.

.

.

He remembers dying. With a snap with a hiss with a crackle with a flame he burned a bright torch in hell.

His shining moment - his big fat fucking death scene with an exclusive audience of thousands. His name in lights; his badge of honour; his bow-out and his golden handshake. His starring role, his day in the sun and *Christ* he could go on all day. But there are no more days, here in the alley at the end of all things. This isn't his part. He's all played out.

Bugger.

Some things are too big to come back from. And yet...

He wants to see how it ends.

.

.

He shivers in the shadow in the alley in the rain. He shudders once and then he feels the heat of hell and the stench of mandrake fills the air. He smells Gunn dying. He doesn't turn round. The last lights go out.

It's raining heavier now and the fat drops begin to sizzle on the sidewalk and he shrinks inside himself, his last defence, his insurmountable, doorless keep of conviction. He swings his sword.

He's climbing, grasping at the dragon's wing. The white noise roar deafens his ears to anything, everything other than punch, kick, dodge and swipe, rinse and repeat, it never ends.

It never ends.

The blow falls.

.

.

He shivers in the shadow, in the alley, in the rain. The waiting is the worst, the pause before.

And it's on. No sword, just him and the other. The rhythm of the fight washes over him, spills out of him - Jack be nimble, Jack be quick, Jack be dervish in the thick. He rushes the front line and happens to somebody, one after the other. He is lost in the crowd, in the dance. Whipping up a whirlwind of arms and legs and broken heads.

There's a clear space around him. His half-severed arm is a bloody flail. He smiles in a flash of white teeth.

The dust settles.

.

.

He shivers in the shadow, in the alley, in the rain but his body takes over with patterns of attackfeintlunge like it's stretching out and warming up. It's so easy and he's so goddamm strong!

He regroups - lets the Connors whirl around his head like some kinda weirdass snowglobe. They settle on his shoulders and strengthen his back: he's smart, hunter, son, Vandal. He is Mad Max and Neo and the Silver Surfer and the Destroyer. He's Bruce Lee. He's a high cloud scudding fast in the top of the world.

He's lost in the hunting, stepped out of time... and then everything slows. Stops.

And the sun also rises.

.

gloss: woman in front of birch tree looking to the right (Default)

[personal profile] gloss 2005-02-02 01:17 am (UTC)(link)
Holy fuck, you.

I don't have words, though I've read this three times now.

Just - words like the rain, insistent and hard, and the *voices*, and all the monochrome flashes of life and death.

You amaze me more with every post.

(no subject)

[personal profile] gloss - 2005-02-02 22:07 (UTC) - Expand

[identity profile] cosmic.livejournal.com 2005-02-02 08:48 am (UTC)(link)
Wow. That's all I have to say: *wow*.

[identity profile] kita0610.livejournal.com 2005-02-02 08:59 am (UTC)(link)
Lovely.

StA?

[identity profile] stumbelina.livejournal.com 2005-02-02 06:20 pm (UTC)(link)
Uh, gah.

So different all together, so battering-rain-inevitable.

[identity profile] chrisleeoctaves.livejournal.com 2005-02-02 07:29 pm (UTC)(link)
Came via [livejournal.com profile] glossing's rec.

Not a word wasted here...just a stunning visual of those last moments, shudder of memory...sad, compelling.

God, our guys are awesome, aren't they?

This fic makes me happy because it's so reassuring to know excellent, mind-blowing fic is still out there to be discovered.

[identity profile] sangpassionne.livejournal.com 2005-02-02 08:48 pm (UTC)(link)
Damn, you broke me. Just beautiful.

[identity profile] inlovewithnight.livejournal.com 2005-02-02 08:57 pm (UTC)(link)
Wow. Damn, wow.

The repetition, the patterns, how all three are the same and all so distinct...oh, yeah.
jekesta: Houlihan with her hat and mask. (HGVS (actual hgvs) (by torificus))

[personal profile] jekesta 2005-02-02 09:05 pm (UTC)(link)
What she said.

Er. To all of the comments above and I dare say any that follow too. And most especially the Holy fuck, you, bit because yes.

Shut up, that is totally not copping out. I mean. If you're going to not post fic for ages and then post this, you don't get to expect any ability for word forming from people in response no.

You made me feel all like that episode did but then with way more than that because of the sort of fandom!love that it gives out on top of that and it's all sort of rather brilliant yes I go now.

[identity profile] http://users.livejournal.com/_divya_/ 2005-02-02 09:14 pm (UTC)(link)
Wow, just wow. That was amazing, dear.

[identity profile] sluggirl.livejournal.com 2005-02-02 09:39 pm (UTC)(link)
Um... I need to read this like a billion more times.

Jesus.

Wow.

[identity profile] a2zmom.livejournal.com 2005-02-02 10:11 pm (UTC)(link)
came her via [livejournal.com profile] glossing and just wow. The very poetic feel, the spareness of your writing which mahes the imagery shine all the more, the way the characters wer all distinct even you highlighted their similarties - just beautiful, really.

[identity profile] magarettt.livejournal.com 2005-02-02 10:53 pm (UTC)(link)
God god god goddamn. Absolutely heart-rending.

[identity profile] bogwitch.livejournal.com 2005-02-02 11:02 pm (UTC)(link)
Woah. That was nothing like I imagined it was going to be. (and I nearly had a bash myself, might've been interesting).

Did I help? You approach from such a weirdass direction (and that's a very good thing!), I'm not sure I did.

Lovely use of language, and extra points for Brue Lee. I'm pleased to see it at last!

[identity profile] taedix.livejournal.com 2005-02-02 11:34 pm (UTC)(link)
Hey, found your journal from a post you made over on Summer_of_Spike and had to comment on this. It's a wonderful piece of work-- brutal and poetic at the same time. I love the sense of rhythm, and how distinct all the voices are. It's like looking at a series of black-and-white photos, stark but still striking.

Also?

He was drunk. He was so goddamm drunk and young and stupid and the hangover's lasted three hundred years.

is a freaking great line. Really beautiful, and such a good reflection of how Angel views his afterlife since the soul.
lynnenne: (Angel-Connor family by kathyh)

[personal profile] lynnenne 2005-02-03 02:41 am (UTC)(link)
This is abso-fucking-lutely brilliant. The structure, the starkness, the motifs... it reads like a heartbeat, or three heartbeats pumping out the same rhythm. Every time I read your work, I'm more and more amazed. You are a major talent, not just in fandom, but in the world of writing, period. I hope you decide to do this for a living someday.

(no subject)

[personal profile] lynnenne - 2005-02-04 02:15 (UTC) - Expand

[identity profile] blueswan9.livejournal.com 2005-02-03 02:52 am (UTC)(link)
You know, I was just thinking the other day, 'Been ages since dody posted any fic.' So that story above? Just made my frigging day, which has been unspectacular in ways we won't discuss.

Just ow and ouch and it's so damned beautiful.

*spins you dizzy*
ext_7299: (Illyria - Wisteria's screencaps)

[identity profile] redbrickrose.livejournal.com 2005-02-03 07:03 am (UTC)(link)
Just wow. And brilliant. And gorgeous. The connections you make and the way you use language never ceases to amaze me.
luminosity: (holdhands)

[personal profile] luminosity 2005-02-03 02:14 pm (UTC)(link)
My God.

Well, *this* is going into Memories. Relentless and wet and hopeless and strong.

**my show!!**

Pretty, pretty!

(Anonymous) 2005-02-03 06:09 pm (UTC)(link)
Just popped over from a BBF rec and I have to say: WOW. It's poetry.

"doorless keep of conviction" and you just nailed him right there... nailed all of them, and it's really great to see this and read it (and read it again).

I also love the literary references. Perfect fit. This was hard work, I can tell.

-LoserTakesAll

[identity profile] pinkdormouse.livejournal.com 2005-02-03 08:09 pm (UTC)(link)
Excellent stuff.

Gina (here via [livejournal.com profile] glossing)
tabaqui: (Default)

[personal profile] tabaqui 2005-02-04 06:09 am (UTC)(link)
Yah, not exactly...coherent.
Damn.
I like the rhythm, the hit hit hit... And then that little catch-step at the end.

What is 111/333/999?
I'd like to see what exactly you're writing 'to'.

Damn, so good.

(no subject)

[personal profile] tabaqui - 2005-02-04 12:49 (UTC) - Expand

(no subject)

[personal profile] tabaqui - 2005-02-04 20:50 (UTC) - Expand

[identity profile] wackinessensues.livejournal.com 2005-02-04 04:31 pm (UTC)(link)
I had to warm up to this one, wasn't sure if I liked it in the beginning, but by the end you had me, and wow, so worth a reread. Love the bit about Spike's name in lights! That was inspired!

So painful and melancholy (there seems to be a lot of that going around, LOL).

Can I add it to the collection at CP&D? I'll have to have a Dody section soon, lol.

Again, just a heartbreaking ending. Sniff!
ext_1124: (a_s linked by essene)

[identity profile] rainkatt.livejournal.com 2005-02-06 06:22 am (UTC)(link)
Eep. And wow. This is amazing and gorgeous and so true to each of them. And ouchy...
jb_slasher: enter shikari; common dreads (Default)

[personal profile] jb_slasher 2005-03-11 11:51 pm (UTC)(link)
Woaah. That was.. woaaah.

Concritathon feedback, Part the First

[identity profile] frimfram.livejournal.com 2005-09-18 11:26 am (UTC)(link)
Alright- here as part of [livejournal.com profile] peasant_'s Concritathon. I promised myself I wouldn't change anything after reading the rest of your feedback, and I haven't, but I now want to put a proviso on what follows: I R Dumb. :)
I've had to split it in two because it exceeds the character limit.

Here goes, then:

This is a very, very strong piece of writing. If I wasn’t reading for a concritathon, I’d probably be giving it unalloyed praise: it’s original, powerful, and unsettling. For such a visceral, emotive story it’s also incredibly economical. Reducing death, love, and the end of the world to these tiny, understated sentences is a stunning trick to pull off, and you do it most effectively.

In terms of content, the ideas are compelling and fitting – Spike subbing into a battle because, well, he might as well, and fighting is fun, and he kind of has a thing for apocalypses – it encapsulates his character in AtS S5 perfectly. Stuck on someone else’s turf, but still doing his thing. Similarly, your Angel is wonderfully weary but still hopeful. He has a rich past full of regret and affection that you convey vividly in very few words. And this overlaid Connor, struggling to marshal all his possible selves, is just as neat.

I’ve identified as the principal flaw something that may not bother you: accessibility. Obviously, you’re not trying to produce mass-market stuff. Challenging themes, subtle suggestion, painful events, and an original, immediate narrative style are all worth having, and it’s reasonable to sacrifice a measure of clarity to achieve them. You want your audience to have to think about what they’re reading, to have them work hard to keep up with you. Major character death is not a matter of sunshine and puppies. Characters fighting for their lives at the end of the world are hard to render with a Flesch-Kincaid level below eight. But, in places, this story is so difficult that I made a basic misread that gave the whole text a different complexion. There are a few ways you could make it slightly easier on the reader without reducing the complexity, nuance and ambition of your writing.

Firstly, while making the reader work to figure out each section’s perspective is a good way to make him or her engage with the story, switching between characters as many times as you do here puts the reader on overtime. The first three sections are from different perspectives; that’s not terrifically many, but the reader doesn’t know if there’re more to come. I was reading looking out for Gunn and Illyria too, which proved distracting.

Furthermore, because these are complex characters, identifying them isn’t easy. You telegraph Spike very effectively – the reader’s there as soon as they see ‘sodding.’ But for characters where there aren’t such familiar shorthands, the reader has to work a lot harder. This gave rise to my basic problem. In section two, at first shot I thought I was reading about Gunn. I’d been expecting vampires, I got a ‘he’ and a ‘heartbeat’, and Gunn was the first person who sprung to mind. When I figured out that it was Connor, it brought on a bout of ‘Connor what-now?’ Involving him makes sense, but, because you’re going outside the confines of canon now, I think readers may be slow to recognise him. The time it took to work out that I was reading Connor, and to think about what he was doing there, threw me out of the immediate tension of the story.

The same applies in the section in which Connor remembers dying. I may be the Homer Simpson of fanfic-reading, but it again took me a couple of reads to make certain whose perspective this was, and then I sat there going ‘Dying? Connor died? Connor died when? Oh, it’s a metaphor for his fight with Sahjahn. D’oh.’

Continues...

Re: Concritathon feedback, II

[identity profile] frimfram.livejournal.com 2005-09-18 11:27 am (UTC)(link)
Continued...

Lastly, because it took so long to understand Connor’s involvement, I initially misread the final section as Angel’s perspective. Though the ‘son’ reference confused me, the rest of that section reads plausibly as Angel. On reviewing, it seems clear that Angel last appears in the pro-penultimate section. But ‘the blow falls’ is sufficiently ambiguous an ending that I could believe, at first reading, that this was him again. (The pop-culture references aren’t enough to peg the section as Connor, given Angel’s canon predilection for action movies!) Connor’s important enough to Angel that I could imagine him being the thing on his mind, the thing he was fighting for. I thought you were doing a neat riff on the idea that Connor is Angel’s shanshu – the indeterminate ‘he’ accommodating both Angel’s hope for the future, sense of his own continuation through Connor’s survival, and identification with his son. And then I thought the final line was Angel getting dusted by the rising sun, even though the battle was finally going his way, just for dramatic irony.

That’s a pretty fundamental mistake on my part. I don’t how much stupider than the average fanfic reader I am, but you might want to bear in mind that casual readers could have so much trouble following as to completely misinterpret the content, and ultimately the tone of the ending. Perhaps you’re just aiming for a more intellectual readership, but you may be interested to know how much work it took to understand. If you wanted to give the story a wider appeal, you could make it just a shade clearer who your three narrators are. You don’t have to spoon-feed the reader, but notching down the subtlety just a shade might be useful. Perhaps you could do it by having the characters refer to one another? That ‘Connor, Connor’ in Angel’s first section meant I recognised him instantly – and eliminated one of the ‘suspects’. Does Spike see Angel go down? Is Connor within sight of his father?

Other trivial points: I don’t recognise the word ‘dimp’ in Spike’s first section, the ‘rinse and repeat’ reference gave me an odd flash on shampoo commercials, which have their place but not necessarily in an apocalyptic final battle, and your frames don’t display properly in Firefox – there’s an image over the first few lines of text.

After reading and re-reading, I am very impressed with this story, and enjoyed it very much. The economy of the writing really is fabulous, and the imagery’s dazzling. I’m sometimes leery of stories set immediately after the screen went black – I kind of like not knowing, you know? – but this was an incredible read. And maybe ‘but I had to work so hard to get it!’ is the kind of criticism you’re happy to discount, but there it is, for what it’s worth. ZOMG SQUEE I heart it hard :)

If you have any questions about what I've come up with, fire away. If you want to laugh at me, I have a special hat I can wear :)

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